About MarkMy name is Mark Milligan. I am an audio engineer, capable of working in all fields of the audio industry. Including live sound, recording, mixing, audio for film and television, as well as audio for video games. I do prefer and specializes in live sound though. Currently I residing in Alberta, Canada.
Began my journey in the audio industry started at the age of 13. I helped run sound for the school assemblies at my junior high school. I continued throughout high school doing audio and lighting for my high school's musical theatre productions, before I went onto college for audio engineering. In 2013 I went to the Centre for Arts and Technology in Kelowna, British Columbia, Canada. Graduating with an advanced diploma in Audio Engineering and Production in 2015. To check out my audio engineering services that I provide, please visit the "Audio" tab. On top of being an audio engineer, I am also a visual designer as a hobby. I create all sorts of content from graphic design, to basic animation, filming and editing videos, website creation, and even 3D CAD design for the product designing of mechanical systems. On top of designing I also do 3D printing. To find out more about my designing services check out my "Design" tab. |
Certifications
Educational Courses Taken
Below is a list of educational courses I have taken that relate to the audio industry:
*Courses taken through the Centre for Arts and Technology - Audio Engineering and Production program.
- ADAP: Advanced Digital Audio Production
- APP: Audio Post Production - Engineering
- ARTm: Advanced Recording Techniques - Music
- ARTp: Advanced Recording Techniques - Post Production
- CM: Career Management - Starting your own audio related business
- DAP: Digital Audio Production (1&2)
- DMAS: Digital Music Arranging and Scoring
- DME: Digital Music Entrepreneur
- DSO: Digital Studio Operations (1&2)
- EMP: Electronic Music Production (1,2,3)
- ES1: Stencyl + FMOD
- ES2: Acoustics & Recording Studio Designing
- ES3: Mixing and Mastering for Audio-Post Production and Music
- LAFTV: Location Audio for Film and TV
- LSR: Live Sound Reinforcement
- MMM: Music Management and Marketing
- MP: Music Production
- MTVF: Music for TV and Film
- PD: Professional Development (1,2,3,4)
- RSM: Recording Studio Maintenance
- RSS: Recording Studio Sessions (1,2,3)
- TRE: Theory of Recording Engineers (1&2)
- UME: Understanding Music for Engineers (1&2)
*Courses taken through the Centre for Arts and Technology - Audio Engineering and Production program.
Gear I Have Worked With
Below is a list of audio gear that I have used:
Mixing Consoles:
Audio Editing Software:
Microphones:
Analog Effects & Compressors:
Analog Preamps:
DJ Equipment:
Digital Effects:
PA Systems:
Mixing Consoles:
- AWS 900 Solid State Logic
- Digidesign C|24 Control Surface Console
- Digidesign Control|24
- Soundcraft GB4 (24 & 40 channel consoles)
- Allen & Heath Qu-24
- Yamaha IM8-24
- Yamaha M7CL
Audio Editing Software:
- Ableton
- Logic Pro X
- Pro Tools 2020
- Pro Tools 11|HD
- Pro Tools 11
- Pro Tools 10|HD
- Pro Tools 10
- Pro Tools 9
- Sibelius 7.5
Microphones:
- Advanced Audio CM47 (tube mic)
- AKG C414
- AKG C451 B
- AKG C568B Shotgun Microphone
- AKG CK 77-3
- AKG D112
- AT 2020
- AT 2021
- AT 3035
- AT 4050
- Cascade Ribbon Fat Head II-Sp Microphones
- H4n Zoom Recorder
- Line 6 XDV75HS Wireless Headset Mic System
- Manley Labs Gold Reference Stereo Mic
- Microtech Gefell GMBH M930 Stereo Pair
- Neumann KM184
- Radial Engineering DI's - ProDI, JDI
- Rode NT2
- Rode NT5
- Royer R-121
- Sennheiser E602
- Sennheiser E604
- Sennheiser E614
- Sennheiser E902
- Sennheiser E904
- Sennheiser E914
- Sennheiser EW100 G3 Series Wireless Mic Systems (handheld, lavalier, headset, and instrument)
- Sennheiser EW100 G4 Series Wireless Mic Systems (handheld, lavalier, headset, and instrument)
- Sennheiser MD421
- Sennheiser ME66 Shotgun Microphone
- Shure 57
- Shure 58
- Soundelux ELUX 251
- T.H.E. KP-6M
- T.H.E. KR25A
- T.H.E. KR33A
- T.H.E. TT3m
- Yamaha Sub Kick SKRM100
Analog Effects & Compressors:
- ACP-88 eight channel compressor and gate
- Analog Plate Reverb Unit
- DBX 162SL
- Drawmer 1066 Tube EQ
- Drawmer 1960 Tube Compressor
- Empirical Labs EL8-X Distressor
- FMR Audio Really Nice Compressor
- Lexicon MX200 Dual Reverb
Analog Preamps:
- API 3124mb+
- Chandler EMI TG2
- Chandler EMI TG2 PSU
- Great River MP-2NV
- John Hardy M1
- Manley Slam!
- Millennia HV-3C
DJ Equipment:
- Pioneer CDJ 800
- Pioneer CDJ 2000
- Pioneer DJM 800
- Pioneer DJM 900 Nexus
- Pioneer RMX 1000
- Rane Empath
- Rane SL1
- Rane SL4
- Rane TTM57 SL
- Serato DJ
- Serato Scratch Live
- Technics 1200 Turntables
Digital Effects:
- Eventide Eclipse Effects Unit
- Lucid Wordclock
- T.C. Electronic M3000 Reverb Unit
- T.C. Electronic M5000
PA Systems:
- EV ELX115P - Point Source Speakers
- EV ELX118P - Bass Bins
- EV SxA250 - Point Source Speakers
- EV SbA760 - Bass Bins
- EV XLD281 - Compact Line Array
- EV Xsub - Bass Bins
- JBL Eon 15P-1 - Point Source Speakers
- Meyer Sound M'elodie - Compact Line Array
- PK CX215-60 - Point Source Speakers
- PK CX215-90 - Point Source Speakers
- PK CX800 - Bass Bins
- PK Klarity 12 - Point Source Speakers
- PK Klarity 18 - Bass Bins
- Yorkville PSA1 - Point Source Speakers / Compact Line Array
- Yorkville PSA1S - Bass Bins
- Yorkville PS15P - Point Source Speakers
- Yorkville PS18S - Bass Bins
Other Computer Programs I Can Use
- After Effects - Adobe (video editing / special effects)
- Arena - Resolume (live visual playback software)
- Audition - Adobe (audio editing)
- Fusion 360 - AutoDesk (3D CAD design software)
- Illustrator - Adobe (vector graphic editing)
- InDesign - Adobe (publishing and typesetting software)
- Onyx - Obsidian Control Systems (lighting software)
- Photoshop - Adobe (photo editing)
- Premiere Pro - Adobe (video editing)
- QLAb - Figure 53 (live audio and visual playback software)